Tag Archives: Caribbean

Art Historian Yasmin Ramirez at the Brooklyn Museum

Yasmin Ramirez, Arts Fellow at the Center for Puerto Rican Studies,
gives a talk on the work of a Caribbean artist.

Free tickets are available at the Visitor Center at 6:30 p.m.

Location:
200 Eastern Parkway, Brooklyn, New York 11238-6052
Telephone:
(718) 638-5000; TTY: (718) 399-8440
Admission:
Suggested Contribution: $8; Students with Valid ID: $4; Adults 62 and over: $4; Members: Free; Children under 12: Free
Hours:
Wednesday–Friday: 10 a.m.–5 p.m.; Saturday–Sunday: 11 a.m.–6 p.m. Get detailed hours
Subway:
Eastern Parkway/Brooklyn Museum Get detailed directions

El Grito de Lares

Join us Sunday, September 23rd in a march and rally for Puerto Rican independence and self-determination. (Details follow)

Sunday September 23rd.
!Todos somos Macheteros!

12PM Begin gathering at Times Square (Broadway between 41st & 42nd)
1PM: Begin marching towards the United Nations
2PM: Rally at the UN- Dag Hammarskjold Plaza featuring speakers from Puerto Rican and ally communities and live hip hop and bomba performances.

www.September23.org

(212)696-6804

Puerto Rico is the oldest colony on the planet, first invaded by Spain in 1493, then in 1898 by the United States. After 109 years, it continues under U.S. colonial rule.

Within those 500 plus years of invasion and occupation, the Puerto Rican people have been engaged in anti-imperialist/ anti-colonial resistance that continues to this day.

The Significance of the September 23rd date September 23rd, 1868 is traditionally celebrated and commemorated as the birth ofthe Puerto Rican nation, when Puerto Ricans rose up against Spanish colonial rule in a revolt known as El Grito de Lares. By 1898, Puerto Rico had achieved a form of autonomous self-rule, which came to an end later that year with the United States invasion of the island during the Spanish- American War. Puerto Rico has been under the political rule of the United States ever since and has continued to struggle throughout that time for its independence
and self-determination.

Well aware of this date’s significance to the independence movement, on September 23rd, 2005, U.S. FBI agents assassinated Filiberto Ojeda Rios. Comandante Filiberto, who founded el Ejercito Popular Boricua (the Puerto Rican People’s Army) – Los Macheteros, was a revered revolutionary leader of the Puerto Rican liberation struggle. The assassination of Filiberto on this date was a clear attempt to kill the spirit of the ongoing Puerto Rican liberation struggle.

Why the UN location? In spite of their attempt to kill our spirit, the FBI assassination of Ojeda Rios served to rally additional support for the independence movement. Since his death, the United Nations Special Committee on Decolonization voted unanimously on a resolution calling for the Decolonization of Puerto Rico. This resolution, in addition to several declarations made on the colonial situation of the island reiterates: “the Puerto Rican people constitute a Latin American and Caribbean nation that has its own unequivocal national identity.” If picked up by the UN General Assembly the Puerto Rican status question will be addressed in September of 2008. This historical decision would put Puerto Rico’s status
issue on the UN agenda for the first time since 1953. The September 23rd march will rally national and international support so that the United Nations will make it a priority to resolve the colonial situation in Puerto Rico once and for all, through its natural right to be a free nation.

What, when and where?: On Sunday, September 23rd of 2007:

12PM Begin gathering at Times Square (Broadway between 41st & 42nd)
1PM: Begin marching towards the United Nations
2PM: Rally at the UN- Dag Hammarskjold Plaza featuring speakers from Puerto Rican
and ally communities and live hip hop and bomba performances.

For more information and march route/ program details visit:
www.September23.org

(212)696-6804

Vicente ” Panama” Alba
panamaalba2@yahoo.com
(917) 626-5847

“if you tremble with indignation at every injustice then you are comrade of mine.”
“Let’s be realistic, let’s do the impossible”
Ernesto “Che” Guevara

*Las Octavitas with Zon del Barrio*

*Zon del Barrio* @ G & G

*Fri. 1.12.08*

& A special in-store presentation with *Yomo Toro* in
El Barrio, USA on

*Fri. 1.18.08*

*David Fernandez, Aurora, Yomo Toro & Sammy Rosa: Zon del Barrio*

Twelve days of Christmas??? Not for Latinos, the party continues into *Las Octavitas with Zon del Barrio*.

Saturday, January 12 – Two shows: 11:30 p.m. & 1 a.m.

Gonzalez & Gonzalez
625 Broadway & Lafayette, New York, 10012*

Cost : No Cover

There’s never a cover and there’s even a free dance lesson if you get
there early. But bring your own on2 partner for insurance. There’s also
a mouth watering Mexican cuisine for those who want dinner and a full
bar for the drinkers. Performing dance-style classic Afro-Puerto Rican &
Cuban music from the barrios, *Aurora & Zon del Barrio* bring its foot
stomping, funk-based classic salsa, plena, bomba & boogalu to the
corners of the Barrios where Latinos live, work, & play the “son” found
throughout the Caribbean.

Welcome to the barrio zone; Where History Becomes Music. Come check
out our new members of Zon del Barrio. New Year, New Sound, New Soul….
www.ZondelBarrio.com. Click on our EVENTS page to watch a clip from our
sold out x-mas show with YOMO TORO @ SOBs.

Web:
http://www.arkrestaurants.com/section_home.cfm?section_id=1&location_id=1&restaurant_id=9

PRdream mourns the passing of Joe Cuba, 1931 – 2009

Viewing on Wednesday & Thursday, February 18 & 19, 2PM – 10PM

R&G Ortiz Funeral Home
204 E. 116th Street, between 3rd & 2nd Avenues
212.722.3512

From: Aurora Communications, Inc.

Joe Cuba: Father of New York Boogaloo has passed away

The “Father of Boogaloo” Joe Cuba passed away on Sunday, February 15, 2009 at 4 p.m. at Mt. Sinai Hospital in New York. He was the most popular exponent of the boogaloo, a fused Latino and R&B rhythm that exploded onto the American top 40s charts during the turbulent 1960s & ‘70s. Hits such as “*Bang Bang,” “Push Push,” “El Pito,” “Ariñañara,” and “Sock It To Me Baby,” rocked the hit parades establishing Joe Cuba and his Sextet as the definitive sound of Latin New York during the ‘60s & ‘70s. The Joe Cuba Sextet’s unusual instrumentation featured vibraphones replacing the traditional brass sound. His music was at the forefront of the Nuyroican movement of New York where the children of Puerto Rican emigrants, America’s last citizens, took music, culture, arts and politics into their own hands.

Joe Cuba’s Sextet became popular in the New York Latino community precisely because it fused a bilingual mix of Afro-Caribbean genres blended with the popular urban rhythm & blues of its time creating a musical marriage between the Fania and Motown sound. His was the first musical introduction to Latin rhythms for many American aficionados. The lyrics to Cuba’s repertoire mixed Spanish and English, becoming an important part of the emerging Nuyorican identity.

Joe Cuba’s music validated the developing Nuyorican population whose language and music Cuba captured with his sound, underlines Giora Breil, CEO of Emusica, the company that now owns the Fania label and who has remastered many of the classics to a new generation of music lovers. “He led the urban tribe,” pointed Breil, “into a united front of cultural warriors that were defining the social and political times they lived in.”

Longtime manager and promoter Hector Maisonave recalls Cuba as ”an innovator who crossed over into mainstream music at an early time. He was the soul of El Barrio. After Joe Cuba, El Barrio is just a street that crosses an avenue.”

In 1962, Cuba recorded “*To Be With You” *with the vocals of Cheo Feliciano and Jimmy Sabater whose careers he spotlighted after the bands introductory appearance at the Stardust Ballroom prior to its summer stint in the Catskills.

Born in 1931 in the heart of Spanish Harlem, his Puerto Rican parents arrived in New York City in the 20s. Christened “Gilberto Miguel Calderón,” Cuba was a “doo wopper” who played for J. Panama in 1950 when he was a young 19 year old before going on to play for La Alfarona X, where the young “congüerro” percussionist replaced Sabu Martinez tapped to play with Xavier Cugat.

By 1965, the Sextet got their first crossover hit with the Latino and soul fusion of “El Pito” (I Never Go Back To Georgia), a tune Cuba recorded against the advice of the producer later to be “broken” by a DJ over WBLS FM in N.Y.. The Dizzy Gillespie “/Never Go Back To Georgia” chant was taken from the intro to the seminal Afro-Cuban tune, “Manteca.” Vocalist Jimmy Sabater later revealed that “none of us had ever been to Georgia.” In fact, Cuba later comically described a conversation he had with the Governor of Georgia who called him demanding why he would record a song whose chorus negatively derided the still segregated Southern town. The quick thinking Joe Cuba replied, “Georgia is the name of my girl.”

“Joe Cuba exemplified the power that comes from collaboration.” highlighted East Harlem’s councilwoman Melissa Mark Viverito. “Through his music, Joe brought together Latinos and African Americans and his art form reflected the influences of both cultures, Furthermore, his music united Harlem and East Harlem by reflecting the growth both communities experienced during the 1960s and ’70s. Joe Cuba made Spanish Harlem proud as he bravely brought his particular New York Latino identity to stages all over the world.”

In 1967, Joe Cuba’s band ––with no horns– scored a “hit” in the United States National Hit Parade List with the song “Bang Bang” – a tune that ushered in the Latin Boogaloo era. He also had a #1 hit, that year on the Billboard charts with the song “Sock It To Me Baby.” The band’s instrumentation included congas, timbales, an occasional bongo, bass, piano and vibraphone. “A bastard sound,” is what Cuba called it pointing to the fans, the people, as the true creators of this music. “You don’t go into a rehearsal and say ‘Hey, let’s invent a new sound or dance.’ They happen. The boogaloo came out of left field.“ Joe Cuba recounts in Mary Kent’s book:” Salsa Talks: A Musical History Uncovered. “It’s the public that creates new dances and different things. The audience invents, the audience relates to what you are doing and then puts their thing into what you are playing/,” pointing to
other artists such as Ricardo Ray or Hector Rivera as pioneers of the urban fused rhythm.

“I met Joe up in the Catskills in 1955,” /recalls nine time Grammy Award winner *Eddie Palmieri*. “When I later started La Perfecta,” Palmieri muses, “we alternated on stages with Joe. He was full of life and had a great sense of humor, always laughing at his own jokes,” chuckles the pianist. Palmieri pointed to Cuba’s many musical contributions underlining the power and popularity of his small band and bilingual lyrics while providing a springboard for the harmonies and careers of Cheo Feliciano, Willie Torres and Jimmy Sabater. “He was Spanish Harlem personified,” describes Palmieri recalling the “take no prisoners” attitude Cuba had when it came to dealing with those who reluctantly paid the musicians. Recalling their early recording days with the infamous Morris Levy, Palmieri cites the antics of Joe Cuba, Ismael Rivera and himself as the reason for Levy selling them as a Tico package to Fania label owner, Jerry Masucci.

Funny, irreverent and with a great humor for practical jokes, Joe Cuba, or Sonny as he was called by his closest friends, was raised in East Harlem. Stickball being the main sport for young boys of the neighborhood, Cuba’s father organized a stickball club called the Devils. After Cuba broke a leg, he took up playing the conga and continued to practice between school and his free time. Eventually, he graduated from high school and joined a band.

“He was not afraid to experiment/,” said *David Fernandez*, arranger & musical director of Zon del Barrio who played with the legendary Cuba when he arrived in New York in 2002.

By 1954, at the suggestion of his agent to change the band’s name from the Jose Calderon Sextet to the Joe Cuba Sextet, the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom. Charlie Palmieri was musical director of the sextet before his untimely 1988 death from a heart attack.

Since then, the Joe Cuba Sextet and band has been a staple of concerts and festivals that unite both Latinos, African-Americans and just plain music lovers in venues all over the world.

In 2003, the following CDs were released:

* “Joe Cuba Sextet Vol I: Mardi Gras Music for Dancing”
* “Merengue Loco” and
* “Out of This World Cha Cha”.

In 2004, Joe Cuba was named Grand Marshall of the Puerto Rican Day Parade celebrated in Yonkers, New York. Musician *Willie Villegas* who traveled with Joe for the past 15 years said, “It didn’t matter where we played around the world Joe would always turn to me and say, To My
Barrio…. With Love!”

Joe Cuba is survived by his wife Maria Calderon, sons Mitchell and Cesar, daughter Lisa, and grandchildren Nicole and Alexis.

Condolences can be sent directly to Joe Cuba’s widow: Maria Calderon at mariacuba1@verizon.net.

MUSICA DE CAMARA PRESENTS SOPRANO CAMILLE ORTIZ IN A SPRING CONCERT

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CAMILLE ORTIZ IN A SPRING CONCERT

Musica de Camara Inc. presents a concert, “Painted By Sea and Sun”, at the Museum of the City of New York, featuring the soprano Camille Ortiz on Sunday, April 5th, 2009 at 3 pm. The Museum os located at 1220 Fifth Avenue at East 104th Street in New York City. Admission is free. Ms Ortiz will sing works by Jesus Guridi, Enrique Granados, Hugo Wolf, Claude Debussy and Heitor Villa Lobos. She will be joined at the piano by Jeanne-Minette Cilliers.

Camille Ortiz was born in Vega Baja, Puerto Rico and completed her Master’s Degree of Music at the Manhattan School of Music under the tutelage of Joan Patenaude-Yarnell. She appeared in the Festival of Interpretation of Spanish Song in Granada, Spain where she worked with the acclaimed Spanish mezzo soprano Teresa Berganza. In Italy, she sang leading opera roles with the Centro Studi Lirica and at the Scuola di Leonardo da Vinci in Rome, she completed her Italian studies. Among the numerous venues in which she has been presented in concert are the Carlos Chavez Hall at the Universidad Nacional Autonoma of Mexico, the Sala Manuel de Falla in Granada, Spain, the Tenri Cultural Institute and the Bruno Walter Auditorium. She has been the subject of a nationally broadcast television program on the network Telemundo and last season, after participating in a Master Class conducted by the renown soprano Martina Arroyo, Ms. Ortiz won accolades for her opera portrayals in the subsequent concert “Prelude to Performance” at the Kaye Playhouse at Hunter College. A winner of the 2008 Gerda Lissner Foundation Award and a finalist in the coveted 2009 Liederkranz Competition, she is founder-director of ALMA, an organization that promotes Hispanic American classical repertoire.

Currently on the faculty of the Manhattan School of Music, South African pianist Jeanne-Minette Cilliers has been called “a pianistic poet” and has garnered rave reviews for her color-rich and imaginative performances. Much in demand as a collaborator, she has performed in Austria, Germany, Israel, Japan, Sweden, South Africa and across the United States. She fosters a strong interest in contemporary music and her recording of Dominick Argento’s “Andre Expedition” will be released next season. Ms. Cilliers has earned both her Bachelor and Master’s Degress of Music with distinction at the University of Michigan, while studying with fellow South African Anton Nel who is a Naumberg Competition Gold medalist. Ms. Cilliers remains the first and only recipient of an Artist Diploma in Vocal Accompaniment from the Manhattan School of Music. Her upcoming schedule of performances include appearances in New York City, San Francisco, Sweden, South Africa and the Caribbean.
Now celebrating its 29th Year, and founded by soprano Eva de La O, Musica de Camara has presented Puerto Rican, Hispanic and non-Hispanic classical musicians in concert in major concert venues such as Alice Tully Hall; Lincoln Center, the Merkin Concert Hall; Kaufman Cultural Center as well as community centers, schools, colleges, churches and museums. The organization also travels to public schools in under-served communities with its Lecture Demonstration Program.

This concert has been made possible in part with the support of the New York City Department of Cultural Affairs, the New York State Council on the Arts, the New York City Council, the New York State Senate and Assembly, the East Harlem Chamber of Commerce, the Museum of the City of New York, the Con Edison Company, Bronx Lebanon Hospital, Consultiva Internacional of Puerto Rico, EMK Enterprises, Deloitte LLP, First Republic Bank, Credit Suisse, Fiddler – Gonzalez – Rodriguez PSC, the Delmar Foundation and the Carnegie Corporation of New York.

Puerto Rico status should be clearly decided

MCT News Service
October 29, 2009
Puerto Ricans need to be allowed to vote on changing their political status. The status quo is untenable.

With little fanfare, a bill is circulating in the U.S. House of Representatives that proposes an election that may ultimately decide the fate of Puerto Rico. The bill is needed now more than ever, for the island is gripped in a fiscal and political crisis that can no longer be ignored.

Puerto Rico has been an incorporated territory of the United States since 1898, and its residents were granted U.S. citizenship in 1917. Although the United Nations and much of the world have recognized it as a colony, Puerto Rico’s status as a “free associated state” has resulted in a stagnant economy and mounting political unrest.

It’s been a rough month for Puerto Rico.

First, in an attempt to rectify a financial crisis, the island’s governor, Luis Fortuno, announced the layoff of 17,000 government employees, which was met with massive, angry protest. A few days later, an unemployed worker threw an egg at Fortuno during a news conference, and one of the island’s biggest rap stars insulted the governor on an MTV awards show.

Then, the island’s largest labor unions led a general strike that paralyzed the capital city of San Juan.

Two weeks ago, drug violence took the lives of eight people in a shopping mall. Puerto Rico is suffering under a wave of drug crimes, as efforts to crack down on the illicit trade along the southern border of the United States have had the effect of rerouting it through the Caribbean.

This week, the island is recovering from a massive gas explosion that has cost $6.4 million to put out and may result in long-lasting environmental damage.

The chaos in Puerto Rico is largely a function of its peculiar status.

Since becoming a territory of the United States, Puerto Ricans have wrestled with three political options: “commonwealth” (status quo), statehood, and independence. But this struggle seems to have no endgame, and the people of this island nation are the losers.

By remaining a commonwealth, Puerto Rico has failed to acquire sufficient political power and has become subservient to U.S. economic interests.

Puerto Rico needs to move to a place where its economy can develop autonomously and not just as a subsidiary of U.S. and multinational corporations. It needs to set clear priorities on how to do this, and to finally decide among three options: statehood, a more autonomous version of commonwealth, or independence.

Since by law, Congress ultimately has the last word on the fate of the island, it should pass a plebiscite bill sooner than later. The time for serious discussion about viable alternatives is now. Puerto Rico’s current political system no longer allows for true self-determination, which is the right of every American citizen.

ABOUT THE WRITER

Ed Morales is a writer for Progressive Media Project, a source of liberal commentary on domestic and international issues; it is affiliated with The Progressive magazine. Readers may write to the author at: Progressive Media Project, 409 East Main Street, Madison, Wis. 53703; e-mail: pmproj@progressive.org; Web site: www.progressive.org. For information on PMP’s funding, please visit http://www.progressive.org/pmpabout.html#anchorsupport.

This article was prepared for The Progressive Media Project and is available to MCT subscribers. McClatchy-Tribune did not subsidize the writing of this column; the opinions are those of the writer and do not necessarily represent the views of McClatchy-Tribune or its editors.

(c) 2009, Ed Morales

Puerto Rico strikers shut down center of San Juan

* Stoppage called to protest large public sector layoffs
* Strike closes government offices, businesses, schools
* Governor appeals for calm, defends layoffs (Updates with protest
details, governor’s comments)
by Matthew Goldstein
Reuters (Oct 15, 2009)

SAN JUAN, Oct 15 (Reuters) – Tens of thousands of Puerto Rican public workers protesting layoffs shut down the center of the capital San Juan on Thursday in a one-day strike that closed many government offices, businesses and schools.

Labor unions in the U.S. Caribbean island territory called the 24-hour stoppage to protest the firing of thousands of workers by the government, which is trying to shrink a $3.2 billion budget deficit.

While Governor Luis Fortuno insisted the layoffs were essential to cut government spending and bolster the island’s credit rating, around 50,000 protesters packed Roosevelt Avenue, the main thoroughfare of the central Hato Rey financial district in San Juan, witnesses said.

Most government offices and schools, and many businesses remained closed on Thursday during the strike protest, which was also backed by religious and student organizations.

“The street will be our battleground. There will only be peace when those that govern respect the will of the people,” said Methodist Minister Juan Vera, who addressed the protesters along with labor leaders and other personalities.

Puerto Rico’s unemployment rate was 15.8 percent in August, higher than any U.S. state.

The island, which has a population of nearly 4 million and is a manufacturing hub for petrochemical, pharmaceutical and technology companies, as well as a major tourism destination, has been in recession for more than three years.

Fortuno, who last month announced the firing of 17,000 public workers, appealed for calm but defended the government’s strategy. Heavily indebted Puerto Rico is a leading issuer of tax-free bonds in the United States.

“I will not allow our credit ratings to suffer any further because of the effects it would have on the population,” Fortuno told Reuters in an interview. “It is just unthinkable …. We would be impaired from providing basic services.”

The government is hoping to avoid a downgrade of Puerto Rico’s bond rating to junk, or non-investment, grade.

Bond rating agencies Moody’s and Standard & Poor’s rate Puerto Rico a notch above junk level and Fortuno says any downgrade would lead to even more job cuts.

San Juan’s international airport, as well as the port area, operated normally on Thursday. Buses stopped running but many taxi cabs and the light rail system ran as normal.

Plaza Las Americas, the Caribbean’s largest mall located in the Hato Rey district, shut its doors.

Fortuno says the public sector layoffs are necessary to cut government spending by $2 billion annually. He told Reuters the government had already achieved savings of $1.2 billion and was on track to reach the $2 billion target.

Puerto Rico’s economy shrank a record 5.5 percent in the 2009 fiscal year that ended June 30. The Puerto Rico Planning Board said the decline showed the economy had touched bottom and predicted 0.7 percent growth in fiscal 2010.

(Additional reporting by Michael Connor in Miami; Writing by Pascal Fletcher; editing by Jim Loney)

Island crisis could fuel more Puerto Rican migration to U.S.

by Jorge Duany, Ph.D., Guest Writer
Orlando Sentinel (Oct 15, 2009)

The signs of Puerto Rico’s acute socioeconomic crisis are everywhere.

The Island’s economy is expected to decline by 5.5 percent this year. Local consumer debt reached almost 23 billion U.S. dollars in 2008. The unemployment rate was 16.5 percent in July 2009. Since 1996, 45,000 manufacturing jobs have been eliminated. For the first time in years, the poverty rate increased during the current decade. The massive layoffs by the Commonwealth government have caused public dismay. Many people are extremely worried about keeping their jobs and paying their bills, taxes, insurance, and mortgages.

One of the traditional strategies in the face of economic difficulties in Puerto Rico has been emigration. An increasing number of Puerto Ricans is seriously considering that alternative, despite the recession of the U.S. economy.

During the current decade, at least one-quarter of a million Puerto Ricans has moved to the continental United States. According to the Puerto Rico Community Survey, nearly 428,000 residents of the Island relocated to the mainland, while about 224,000 returned from abroad between the years 2000 and 2007. According to the Puerto Rico Ports Authority, the net passenger movement to the United States totaled around 297,200 persons between 2000 and 2009. In 2008, 51.6 percent of all persons of Puerto Rican origin lived outside the Island.

Aside from the massive resurgence of the Puerto Rican exodus, the latest census statistics confirm the migrants’ changing settlement patterns. In 2008, the state of Florida had the second largest number of Puerto Rican residents (744.4 thousand), after New York (1.1 million). Between the years 2000 and 2007, five of the ten leading destinations of Puerto Rican migrants were in Florida: Orange, Miami-Dade, Broward, Hillsborough, and Osceola counties.

During the same period, 38,257 residents of the Island resettled in Orange County, the center of the Orlando metropolitan area, which has displaced Philadelphia and Chicago as the second concentration for Puerto Ricans in the U.S. mainland. Other popular destinations for the migrants are Hamden County, Massachusetts; Philadelphia; the Bronx in New York; Hartford and New Haven, Connecticut.

On average, contemporary Puerto Rican migrants are younger, better educated, more skilled, and more likely to be bilingual than the Island’s population. Still, it is exaggerated to characterize the entire new migrant flow as a “brain drain,” since the bulk of the migrants has a secondary education and a blue-collar or service job.

At the same time, a growing proportion consists of highly qualified professionals, including medical doctors, engineers, nurses, and teachers. Among the main motivations for this continuous exodus are the gaps in wages, working conditions, and opportunities for professional development on the Island and in the United States. Furthermore, many migrants are seeking a better “quality of life,” referring especially to public services, housing costs, safety, and tranquility.

Finally, the most recent census estimates allow a comparison between the living conditions of Puerto Ricans on and off the Island.

In 2008, Puerto Rico’s unemployment rate was 14.8 percent, compared to 10 percent for Puerto Ricans in the United States, 9.3 percent in Florida, and 10.4 percent in Orlando. The median income for Puerto Rican households on the Island ($18,190) was less than half than in the United States ($39,039), Florida ($41,892), and Orlando ($39,778). In turn, Puerto Rico’s poverty rate (45 percent) was much higher than for Puerto Ricans in the United States (24 percent), Florida (17.5 percent), and Orlando (16.2 percent).

Given such wide discrepancies in employment opportunities, income levels, and other economic indicators, the new migrant wave will probably persist, until living conditions on the Island improve substantially. Let’s hope that happens soon.

Jorge Duany is Professor of Anthropology at the University of Puerto Rico, Río Piedras. He is currently the Wilbur Marvin Visiting Scholar at the David Rockefeller Center for Latin American Studies at Harvard University. He earned his Ph.D. in Latin American Studies, with a concentration in anthropology, at the University of California, Berkeley. He also holds an M.A. in Social Sciences from the University of Chicago and a B.A. in Psychology from Columbia University. He has published extensively on Caribbean migration, ethnicity, race, nationalism, and transnationalism. His most recent coedited book is “How the United States Racializes Latinos: White Hegemony and Its Consequences” (2009).

NiLP FYI: Puerto Rican Nationalism and Statehood

Note: The Natural Resources Committee approved the Puerto Rico Democracy Act of 2009 on the future political status of Puerto Rico last week. This bill was submitted by the island’s resident commissioner, Pedro Pierluisi, who is a member of the pro-statehood New Progressive Paty (PNP). The other three Stateside Puerto Ricans in Congress have not endorsed this bill.

According to this proposal, voters would choose between keeping the island’s commonwealth status, adopted in 1952, or to opt for something different. In the latter case, a second plebiscite would let them decide whether they wanted statehood, independence or independence with a loose association to the United States.

Two of the island’s main parties oppose the proposal as having a pro-statehood bias, and a similar bill that the committee approved in October 2007 has since died. Last week’s committee debate marked the 68th time that the House has debated a bill related to Puerto Rico’s status. Puerto Ricans voted to maintain the island’s current status and rejected statehood in nonbinding referendums in 1967, 1993 and 1998.

Residents of the U.S. Caribbean commonwealth are barred from voting in presidential elections, and their Congressional delegate cannot vote.

We have reprinted below an interesting analysis supporting the statehood position that we thought would be helpful in promoting further debate on this status issue. The views expressed do not necessarily reflect the views of NiLP on this subject and we will seek disseminate commentaries on the other status options.

—Angelo Falcón

Puerto Rican Nationalism and the Drift Towards Statehood
by Arienna Grody, Research Associate
Council on Hemispheric Affairs (July 27, 2009)

Near the Caribbean islands of Hispaniola and Cuba lies another, smaller island, the inhabitants of which have never experienced sovereignty. The arrival of Christopher Columbus [Colón] to its shores in 1493 heralded an era of enslavement and destruction of the native Taíno population at the hands of the Spanish colonial system. Four centuries later, the decadence of the Spanish royalty had significantly weakened the once-formidable imperial structure. The Spanish-American War of 1898 became the capstone of the demise of the Spanish empire and the Treaty of Paris ceded control of several Spanish-held islands to the United States. Of the territorial possessions to change hands in 1898, Puerto Rico is the only one that persists in a state of colonialism to this day.

“Puerto Rico has been a colony for an uninterrupted period of over five hundred years,” writes Pedro A. Malavet, a law professor at the University of Florida who has studied the subject extensively. “In modern times, colonialism – the status of a polity with a definable territory that lacks sovereignty because legal [and] political authority is exercised by a peoples distinguishable from the inhabitants of the colonized region – is the only legal status that the isla (island) has known.” Puerto Rico’s legal and political status has not, however, precluded the development of a national ethos. On the contrary, Jorge Duany, a professor of anthropology at the University of Puerto Rico in Rio Piedras, explains that Puerto Ricans “imagine themselves as a nation [although they] do so despite the lack of a strong movement to create a sovereign state.” Furthermore, this perception of a unique Puerto Rican identity had already developed and become established under Spanish rule. Puerto Rican cultural nationalism has persisted through various stages of history, through drives for independence and efforts at assimilation. This puertorriqueñismo is apolitical. In fact, some of the strongest cultural nationalism is exhibited by Puerto Ricans living in the United States.

Nevertheless, the lack of association between puertorriqueñismo and sovereignty, or even of a clearly mobilized independence movement with widespread support, does not diminish the necessity of finding a just and permanent resolution to the question of the status of Puerto Rico.

American Imperialism Called to the Colors

In 1898, the United States won Cuba, Guam, the Philippines, and Puerto Rico from Spain. As U.S. troops invaded Puerto Rico, they proclaimed that their intentions were to overthrow the ruling Spanish authorities, thereby guaranteeing individual freedoms for the inhabitants. However, as Michael González-Cruz, an assistant professor at the University of Puerto Rico at Mayagüez, writes, “the occupation and recolonization of the island did not improve basic rights such as health or labor conditions but rather reinforced the barriers that increased social inequalities among the population.” Although the U.S.’ initial promises of liberation and democracy won the support and assistance of many anti-Spanish Puerto Ricans, it soon became clear that “the United States’ interest in conquering land did not extend to accepting the colonized people as equals.”

Far from promoting the democratic republican ideals associated with the U.S.’ own independence movement and its aftermath, the new colonial regime on the island promptly instituted military rule. It “sought to consolidate its military and economic authority by repressing any activity that might destabilize it or threaten its economic interests.” U.S. military forces protected landowners against the tiznados, or members of secret societies dedicated to the independence of Puerto Rico, rendering the landowners dependent on their presence and rejecting any movement towards sovereignty for the island. Additionally, the period was marked by media repression and censorship as “journalists were systematically pursued, fined and arrested for reporting on the behavior of the troops of the occupation.” These were the first signs that island residents were not going to be treated as the equals of mainland Americans, but they were by no means the last.

The Insular Cases

According to writer, lawyer and political analyst Juan M. García-Passalacqua, the Insular Cases – the series of Supreme Court decisions that ultimately determined the relationships between the United States and its newly acquired territories – “made it clear that the paradigm was the governance of the property of the United States, not of a people.” This point is illuminated by the fact that the Insular Cases primarily addressed tax law. In De Lima v Bidwell (1901), the Court determined that Puerto Rico was not a foreign country – at least for the purpose of import taxes. But in Downes v Bidwell (1901), it held that the island was not part of the U.S. per se. Malavet points to the fact that it gave Congress “almost unfettered discretion to do with Puerto Rico as it wants” as the biggest flaw in the Downes decision.

The decision was neither undisputed nor unqualified. For example, Justice Edward Douglass White concurred, but on the condition that “when the unfitness of particular territory for incorporation is demonstrated the occupation will terminate.” Justice John Marshall Harlan II (best known for his dissent in Plessy v Ferguson (1896)) dissented emphatically, arguing that “the idea that this country may acquire territories anywhere upon the earth, by conquest or treaty, and hold them as mere colonies or provinces, – the people inhabiting them to enjoy only such rights as Congress chooses to accord them, – is wholly inconsistent with the spirit and genious, as well as with the words, of the Constitution.”

Despite these warnings, however, Congress (with the assent of the Supreme Court) continued to construct Puerto Rico as a dependent colonial possession, a status from which, more than a century later, the island has yet to escape. The civilian government introduced under the Foraker Act (1900) was appointed primarily by the president of the United States. The Jones Act (1917) can be said to have bestowed or imposed U.S. citizenship on Puerto Ricans. But this citizenship does not include the full rights guaranteed to citizens in the fifty states. In the case of Balzac v Porto Rico (1922), the Supreme Court held that personal freedoms, while considered a constitutional right on the mainland, were not legal entitlements on the island because of its status as a territory merely “belonging” to the United States, rather than as an “incorporated” territory. Malavet maintains that Balzac “constitutionally constructs the United States citizenship of Puerto Ricans as second class,” affirming Congress’ colonialist agenda and denying Puerto Ricans both the right to self-determination and the option to assimilate on equal grounds.

Americanization

Before Puerto Rico’s destiny to be a colonial possession indefinitely had been sealed, the United States instituted a policy of Americanization, centered on linguistically assimilating the islanders by establishing English as the language of public school instruction. Malavet has described this Anglo-centric agenda as “the most obvious effort to re/construct Puerto Rican identity,” which was made possible by the early view of Puerto Ricans as “overwhelmingly poor, uneducated people who could nonetheless be ‘saved’ by Americanization.” As Amílcar Antonio Barreto, Associate Director of Northeastern University’s Humanities Center, points out, clearly “an implicit assumption underlying Americanization was the presumed superiority of Anglo-American socio-cultural norms and the concurrent inferiority of Puerto Ricans.”

Americanization, although focused primarily on English language instruction to facilitate assimilation, included persecution of the independence movement. Significantly, Puerto Ricans, who had developed a national identity under Spanish rule, rejected the efforts at forced cultural substitution. According to Barreto, the Americanization project “endow[ed] the Spanish language with a political meaning and a social significance it would not have held otherwise,” laying the foundation for a cultural nationalism centered on the Spanish language and heritage.

Economic Dependence

Not only was the U.S.-imposed government unresponsive to cultural demands of the population, it allowed American corporations to control the island’s economy and exploit its resources, effectively plunging it into long-term dependency.

One of the most fateful decisions the government made was to promote sugarcane as a single crop. The dominance of sugarcane production undermined the coffee and tobacco economies in the mountain areas, allowed sugar corporations to monopolize the land and subjected workers to the cane growing cycle, forcing them into debt in the dead season and exacerbating the problems of poverty and inequality already present on the island. Furthermore, “the island became a captive market for North American interests.”

The economic policy of the early 20th century was a disaster for Puerto Rico. Its accomplishments were limited to widening the gap in Puerto Rican society, intensifying poverty on the island and creating the conditions of dependency on the United States from which it has yet to escape.

The Independence Movement

The American indifference to Puerto Rican cultural objectives, political demands and economic needs led to an initially determined drive for independence. One of the most prominent figures of the independence movement was Pedro Albizu Campos. A lawyer and a nationalist, he gained recognition when he defended the sugar workers’ strike of 1934.

The 1934 strike was a response to the wage cuts imposed by U.S. sugar corporations. Faced with a reduction of already marginal incomes, the workers organized a nationwide strike that paralyzed the sugar industry. Albizu Campos took advantage of his position as the primary advocate of the strikers to link the workers’ demands to the struggle for independence.

Albizu Campos based his argument for independence on the fact that Spain had granted Puerto Rico autonomy in 1898, before the Spanish-American War and before the Treaty of Paris. Therefore, he contended that Spain had no right to hand over Puerto Rico to the United States as war plunder. Unfortunately for Puerto Rico, autonomy does not equate to sovereignty. Sovereignty is not a condition that Puerto Rico has ever experienced. But there has been a significant push for an independent Puerto Rico. Nevertheless, this movement has been consistently and violently repressed.

In 1937, a peaceful protest in support of Puerto Rican independence was organized in Ponce. Shortly before the demonstration was to begin, then Governor General Blanton Winship revoked the previously issued permits. Police surrounded the march and, as it began, opened fire on the activists, leaving 21 dead and 200 wounded. The Ponce Massacre is one of the better known examples of the use of violence to silence the independence movement, but by no means was it an isolated event.

Assimilationism

The United States, despite its disregard for the Puerto Rican people, placed a high premium on the use of the island for military purposes. This was highlighted by the location of both the Caribbean and South Atlantic U.S. Naval Commands in the 37,000 acre naval base Roosevelt Roads, which closed in 2004.

The obvious alternative to independence is statehood, an option which entails a certain degree of assimilation. González-Cruz posits that “the extreme economic dependency and the U.S. military presence provide favorable conditions for Puerto Rico to become a state.”

As Governor of Puerto Rico in the 1990s, Pedro Roselló of the Partido Nuevo Progresista (PNP) proposed instituting a form of bilingual education, allegedly because of the advantages associated with both bilingualism and speaking English, but more plausibly to boost the island’s chances of becoming a state. In 1976, President Gerald Ford declared that it was time for Puerto Rico to become fully assimilated as the 51st state. But there was strong opposition, not only from island independentistas, but from American politicians, some of whom were determined to refuse Puerto Rico admission to the union without instituting English as the official language of the island.

In the 1990s, there was lingering xenophobic objection to Puerto Rican statehood as well as echoes of the linguistic intolerance exhibited in the 1970s. The American intransigence on language and assimilation is likely what pushed the Roselló government to try to institute bilingual education on the island.

“Because of the uncertainty of the status question, the proannexationist government […] steered the island toward a neoliberal model in which statehood would not generate additional costs for the United States,” writes González-Cruz. They catered to the U.S. Congress as much as possible in order to try to direct the future of the island toward full incorporation into the United States.
However, this assimilationist push for statehood, embodied by the proposed education reforms was flatly rejected by the population. The Partido Independentista Puertorriqueña (PIP), may have never been able to garner more support than what it needs to barely survive, but assimilation is also perceived by many modern islanders as contrary to the needs, desires and interests of the Puerto Rican people.

Puertorriqueñismo

Puerto Ricans favor neither independence nor assimilation in crushing numbers. They are reluctant to forego the benefits of U.S. citizenship and unwilling to give up their identity as Puerto Ricans. Malavet argues that “cultural assimilation has been and positively will be impossible for the United States to achieve.” This is because Puerto Ricans perceive themselves as “Puerto Ricans first, Americans second.” Yet, in spite of this apparently strong nationalist sentiment, Puerto Ricans reject legal and political independence. In the words of Antonio Amílcar Barreto, “Puerto Ricans are cultural nationalists [but] the island’s economic dependency on the United States […] outweighs other considerations when it comes to voting.”

“Culturally speaking, Puerto Rico now meets most of the objective and subjective characteristics of conventional views of the nation, among them a shared language, territory, and history,” writes Jorge Duany. “Most important, the vast majority of Puerto Ricans imagine themselves as distinct from Americans as well as from other Latin American and Caribbean peoples.”

This cultural nationhood emerged in the 17th and 18th centuries. As more Spaniards were born in Puerto Rico, they developed a distinct criollo cultural identity, inextricably linked to the island. Towards the end of the 19th century, the criollos began to push for greater independence from the distant fatherland. In March 1898, the first autonomous government was established under Spanish rule. Despite its imperfections, the autonomous charter indicated the growing nationalist sentiment on the island. Unfortunately, the United States invaded the island before it was ever granted independence.

Nevertheless, this criollo culture was sufficiently strong and entrenched to withstand the onslaught of the Americanization effort. One side effect of the attempted imposition of American culture and values was the development of a puertorriqueñismo largely defined in terms of anti-Americanism. Rather than simply creating a unique Puerto Rican identity, early nationalists defined Puerto Ricanness strictly in contrast to Americanness. Thus, “Puerto Rican nationalism throughout the 20th century has been characterized by Hispanophilia, anti-Americanism, Negrophobia, androcentrism, homophobia, and, more recently, xenophobia,” writes Duany. To a large extent, this accounts for the rejection of English (or even bilingualism) in favor of Spanish, which is perceived as an important part of contemporary Puerto Rican identity. Even Puerto Ricans living in the United States are often not considered real Puerto Ricans by island nationalists.

Nationhood

Duany describes a nation as “a ‘spiritual principle’ based on shared memories and the cult of a glorious past, as well as the ability to forget certain shameful events.” It is not inextricably linked to statehood. As legal scholar and political leader of the Puerto Rican independence movement Manuel Rodríguez Orellana explains, “Even before the phenomenon of the political unification of nations into states, the French were French and the English were English. Michelangelo was no less Italian than Mussolini.” It is this separation between the concepts of nation and state that allows Puerto Ricans to assert their Puerto Rican nationalism without demanding independence, instead defending their U.S. citizenship.

Although Rodríguez Orellana describes puertorriqueñismo as a “political act on the colonial stage,” it has generally lost its political undercurrents. As Rodríguez Orellana himself says, “the daily life of Puerto Ricans runs, consciously or unconsciously, along the track of their national identity.” Puerto Ricans are always Puerto Ricans. This is not a political act, but a cultural fact. Although independentista intellectuals like the relatively early and highly influential scholar Manuel Maldonado-Denis worry that “the colonization of Puerto Rico under the American flag has meant the gradual erosion of [Puerto Rican] culture” and argue that “Puerto Rico is a country that is threatened at its very roots by the American presence,” the evidence is to the contrary. In fact, migration “has produced an affirmation of puertorriqueñismo as a nationality in the continental United States that is stronger and may be more important than the development of it on the island.” Puerto Ricans clearly continue to exhibit a strong sense of cultural identity and nationalism in spite of their failure to connect it to independence.

A Century of Colonialism

In the words of Maldonado-Denis, “Puerto Ricans are a colonial people with a colonial outlook,” meaning that neither the Puerto Ricans on the island nor Puerto Ricans in the United States have yet achieved “a true ‘decolonization,’ either in the political or in the psychological sense of the word.” In spite of Puerto Rican complacency and in spite of the fact that the United States has managed to design “a process of governance that hides Puerto Rico in plain view,” the colonial relationship that persists between the two polities cannot last forever. 111 years after the acquisition of the island, the time to decide the future of Puerto Rico is overdue.

The Future of Puerto Rico

Malavet identifies the three legitimate postcolonial alternatives for Puerto Rico as independence, non-assimilationist statehood and “a constitutional bilateral form of free association,” arguing that “it is unconstitutional for the United States to remain a colonial power […] for a period of over one hundred years.” The territorial status is only valid as a temporary, transitional status. It must lead to either independence or incorporation.

Given the unacceptability of Puerto Rico’s current colonial legal and political status, the question becomes: what is the best viable option for Puerto Rico?

Independence

García-Passalacqua writes that, “with the reemergence of all sorts of nationalisms, [sovereignty] has become the logical aspiration of any and all peoples in the new world order.” There is no reason why this wouldn’t be true for Puerto Ricans. The $26 billion drained from the island by U.S. corporations each year is sufficient justification to push for separation from the United States. The unequal treatment of island residents, embodied by the phrase “second class citizenship,” provides further grounds for dissociation from the imperial power. Additionally, Puerto Ricans self-identify as a nation.

There appears to be no reason for Puerto Rico to continue as anything other than an independent nation-state. In this vein, then Governor of Puerto Rico, Anibal Acevedo Vila, spoke before the UN General Assembly last year, accusing the Bush administration of denying the island its right to chart its own course and demonstrating a sense of frustration with the aimless direction in which the United States has dragged Puerto Rico. This seems to imply preference for autonomy, if not sovereignty. But while Puerto Ricans certainly insist upon their autonomy, there is no such consensus on independence – that option has never garnered more than five percent of the vote in any of the status plebiscites.

Statehood

Puerto Ricans are not ready to give up their ability to hop across the blue pond on a whim. Despite the fact that the United States continuously exploits the island – its resources and its people – , most Puerto Ricans perceive the benefits of their relationship to the United States as outweighing the costs.

Puerto Rico is “consistently losing its ability to achieve self-sustaining development, and the current economic course” makes it less likely that there will ever be “any significant degree of political and economic sovereignty.” Furthermore, the presence of U.S. military bases on the island reduces the likelihood that the Pentagon would easily let go of the valuable strategic outpost. The greatest opposition to Puerto Rican statehood would come from xenophobic American politicians arguing that Puerto Ricans are inassimilable.

This combination of factors could tilt the balance in favor of statehood over independence. Because Puerto Ricans perceive their economic interests as being tied to their connection to the mainland, they are likely to opt for a status that allows them to maintain the current relationship virtually unaltered. While the majority of island intellectuals may advocate independence, it is important to note that the majority of islanders are not intellectuals.

A New Proposal

Last month, Pedro Pierluisi presented a new bill in the Committee of Natural Resources in the U.S. House of Representatives, seeking authorization from Congress to allow Puerto Rico to conduct a series of plebiscites to determine the preferred future status of the island. However, the bill does not commit Congress to act on the results of the plebiscites and, although it presents Puerto Ricans with and opportunity to choose a reasonable permanent status, it also allows them to perpetuate themselves in an unacceptable state of colonialism indefinitely.

Malavet writes that “perhaps the biggest harm perpetrated by the United States against the people of Puerto Rico can be labeled ‘the crisis of self confidence.’ This form of internalized oppression that afflicts the people of Puerto Rico leads them to conclude that they are incapable of self-government. Under this tragic construct, Puerto Ricans believe that they lack the economic power to succeed as an independent nation – that they lack the intellectual and moral capacity for government.” This U.S.-imposed inferiority complex will almost certainly lead Puerto Ricans to vote against independence if given the option. They have consistently expressed no desire whatsoever to be categorized as a sovereign state.

Because Puerto Ricans do not connect their cultural nationalism to sovereignty and because of the island’s extreme dependency on the United States, the most likely eventual outcome for Puerto Rico will be statehood. Although this is not necessarily the ideal status for the island, it is undeniably preferable to its current second-class existence. What is most important is that the island ceases to be a territorial possession. In the words of Manuel Maldonado-Denis, “colonialism as an institution is dead the world over. Puerto Rico cannot – will not – be the exception to this rule.”

The Hope of a Nation

With any luck, Congress will pass Pierluisi’s bill (or a more forceful version that pushes for change) and Puerto Ricans will be given the opportunity to vote on their future. In spite of the strong cultural nationalism that permeates contemporary Puerto Rican society, the economic benefits of statehood are likely to be the most influential factor in a status vote.

Statehood entails a certain degree of assimilation. For instance, Puerto Rican athletes will now have to compete for spots on the U.S. Olympic team before heading to the international event. This absorption into the United States certainly erodes the sense of Puerto Rican nationhood as Puerto Rico is no longer able to represent itself as a specific entity on a world stage. However, this should not hugely effect the continuation of a thriving Puerto Rican culture distinct from American culture.

Moreover, there are definite advantages to becoming a state, not least the expansion of Medicare and the ability to vote. If the territory joins the Union, it will be nearly impossible for the U.S. to rationalize the perpetuation of the poverty currently found in Puerto Rico.

And if the population decides that the economic benefits of statehood do not outweigh the cultural costs, perhaps the shock of losing their Olympic team will spark a widespread Puerto Rican independence movement.

At Home in Two Traditions: Jazz and the Sounds of Puerto Rico

G. Paul Burnett/The New York Times

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Miguel Zenón with his band, including the bassist Hans Glawischnig, the drummer Henry Cole and Obanilu Allende, in hat, who plays plena rhythms.
By BEN RATLIFF
Published: December 3, 2008

When the jazz saxophonist and composer Miguel Zenón visits his native Puerto Rico to see his mother and other relatives every year around Christmastime, he rarely hears any jazz. Instead he’s surrounded by plena, a century-old Afro-Caribbean musical tradition, a kind of movable street-corner folksong.

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The composer and saxophonist Miguel Zenón.

Plena is made with three different-size panderos (like tambourines without the cymbals) and voices singing about island myths and scandals, cultural identity, political reality, love and plena itself.

“It’s really common,” he said in an interview last week in Washington Heights, where Mr. Zenón, 31, now lives with his wife, Elga Castro, a Ph.D. candidate in political science at the New School. “And it’s so simple that you find it at a basketball game, at church — anywhere.”

Panderos are easily portable, as opposed to the barrel-shaped drums used in bomba, another island music. And the four-beat plena rhythm has also been part of the holiday-season ritual of parranda, which is akin to Christmas caroling: surprise late-night musical visits to the neighbors.

Part of the jazz tradition is using whatever’s in front of you, and Mr. Zenón, a New Yorker since 1999, has done this before. His album “Jíbaro” (Marsalis Music), from 2005, dealt with the song form of Puerto Rican back-country troubadours, and it had a preoccupation with numbers, particularly in the décima, a 10-line stanza with specific rhyme schemes.

“Jíbaro” threads Puerto Rican folklore through small-group jazz played at a high level, led by Mr. Zenón’s limpid and graceful alto saxophone sound. The album helped establish Mr. Zenón as one of the important contemporary revisers of Latin jazz and spread his reputation for delivering excellent music from a complicated premise, a reputation that reached the secret committees of the MacArthur Foundation, which awarded him one of its $500,000 “genius” grants in September.

This year Mr. Zenón also received a Guggenheim research grant and took a long fact-finding trip back to Puerto Rico. To ask for introductions to the living plena masters, he sought out Hector (Tito) Matos, a plena practitioner who has played with the long-running New York band Los Pleneros de la 21, as well as his own group, Viento de Agua.

Mr. Matos pointed him toward historians and older musicians like Modesto Cepeda and Ismael (Cocolai) Rivera so that Mr. Zenón could understand the music’s origins and functions. He learned about the subtle differences, for instance, between the San Juan-style use of the open hand on the pandero and the slower-tempo “punta de clavo” fingertip style of Mayagüez.

An insight from Ramón López, an ethnomusicologist who has written about plena, helped Mr. Zenón with his work. “He said something to me about how the moment you put plena onstage, it’s not the real thing anymore,” Mr. Zenón said. “So he told me not to worry about it, because it’s already different from what it’s supposed to be.”

Mr. Matos said: “That he decided to focus on plena for a whole recording and a whole research project, that surprised me right away. It’s very important what Miguel is doing, to open the music we play to more ears around the world.”

Mr. Zenón used his research for his composition “Esta Plena,” a work in 10 parts: half instrumental, half with singing. (He wrote his own lyrics too: about the nature of plena, about an all-night New Year’s party at Mr. Matos’s house, about political corruption and the disappearance of cultural tradition.) It will be performed for the first time this week, Thursday through Sunday, at the Jazz Gallery in the South Village. The performances feature his working quartet — Mr. Zenón, the pianist Luis Perdomo, the bassist Hans Glawischnig and the drummer Henry Cole — as well as three extra musicians playing plena rhythms and singing: Mr. Matos, Juan Gutiérrez and Obanilu Allende.

Again in “Esta Plena” Mr. Zenón used numbers as an organizing principle. “There are three panderos in plena,” he said. “So I dealt with the number three. In terms of form I wrote a lot of phrases in three or six. Harmonically I started thinking in terms of major-third intervals and augmented triads, and from there I built melodies and chord progressions.”

That the basic plena rhythm is always in four — with the biggest drum accenting the one and three, the middle one accenting the three and four, and the smallest providing improvised accents — didn’t deter Mr. Zenón. Through “Esta Plena” he has kept the four-beat percussive plena rhythm steady, while writing melodic cycles for the rest of the band in three or nine.

If you think that sounds complex, you’re right. (Mr. Zenón graduated from Berklee College of Music in 1998 and had no formal math training beyond high school. Still, he has a math-and-science way of thinking.) Yet his compositions are always clear and organized, and when they’re making references to folklore, they keep the feeling of dance in them.

The number three, incidentally, has no other significance than the three panderos. Mr. Zenón laughed at the notion that it could signify the trinity. “When I write anything, I need something concrete to help me, something outside of music,” he explained. “On another project it might be letters.”

After the shows at the Jazz Gallery Mr. Zenón will record “Esta Plena” for his next album. And — given the financial freedom of the MacArthur award — then what?

He has an idea. Recently, he said, he was watching the documentary “Heima,” about how the Icelandic rock band Sigur Ros thanked the fans in its home country by playing an unusual series of free concerts: in factories, small-town community centers and even in fields and caves. Mr. Zenón said he got the urge to do something similar in Puerto Rico, particularly in small towns and mountainside areas where jazz is almost never heard.

It could make a difference, he said, to play jazz of the sturdiest sort; not his own, but music by Charlie Parker or John Coltrane or Miles Davis. He might also talk to audiences about improvising, play them records, offer clinics.

“When I grew up there,” he said, “there wasn’t really any live jazz. It was usually background music, and it was always the same eight or nine guys in San Juan. So I saw this movie, and I started thinking: man, if I could do that, just play the music, without having to worry about the business part — tickets, publicity, who’s going to pay the guys, are enough people going to show up — it would be incredible.”

Miguel Zenón performs Thursday through Sunday, 9 and 10:30 p.m., at the Jazz Gallery, 290 Hudson Street, South Village, (212) 242-1063, jazzgallery.org.